Last night, with a couple non-sleep obsessed friends, we attended the midnight premiere of, as it’s known in England, MARVEL AVENGERS: THE AGE OF ULTRON, lest confusion.
It was acceptably awesome and gloriously Whedony (sweet and self-aware, funny and cruel, full of creepy lullabies). There’s also some weird stuff that I won’t talk about, but was cool to see Whedon try it out.
Also. I love Ultron and his creepy puppet talk and how so very much of his personality was a subtle twist of Iron Man.
Also, also. I adore midnight films, in particular, midnight crowds. This one gasped and ooohed and laughed, and it was fantastic.
Also, also, also. Check out Brian Hiatt interviewing Joss in Rolling Stone.
On keeping french hours
There’s not a number. Draft is too strong a word…there’s so many changes, there’s so much. I went home from the set every night – because we were keeping French hours, and we got home at a decent hour started at the same time every morning – and I’d go and write, every night. It was partially me, partially notes from the actors, partially the studio, like everybody had a hand in “This could be better.” But I think in some ways its great to stay fluid, to see what’s working and lean into it. There’s stuff between Hawkeye and the Scarlet Witch that’s some of my favorite stuff in the movie, and it’s there because they’re the only actors I had. When we started shooting in Italy, I had Quicksilver, Scarlet Witch, and Jeremy Renner; everybody else was busy. So, I’m like “Okay, I guess these guys are gonna have a scene, and I can work with that.”
On going left-of-center
You know, with hindsight… No, believe me, it’s not that weird, but I was like, we’re definitely going to go left of center here. And that was an adjustment for people. So, I’m like, if this doesn’t work, they’re all going to go, “Well, you went left of center!” I just wanted to make it as interesting and complicated – not complicated, complex— as possible, and really get inside these characters’ heads.
On life, post-Avengers.
I just felt like this is the opportunity I have for the first time since I started working, to stop and go in a vacuum, not thinking about deals or friends or genres or networks or anything except what’s in here. What would I do? I don’t know how I’ll approach it, but that’s a huge deal for me.
A lot of smart people have already said that this is a character film wrapped in an extra forty minutes of HULK SMASH. Of course, smashing is part of who these people are. At least they refrain from much in the way of pummeling for information.
Happy Thursday, readers.
Go see the movie.
It’s superheroes. It’s evil robots. There’s a sex joke involving a zucchini. It’s Whedon. You won’t be disappoint.
Unless you want to see a black-and-white Russian film. In which case, well.
p.s. If you’ve never read this, you should.